Welcome

The Glade City Rounders are a Middle Tennessee-based string band specializing in string band and jug-blues tunes. They are known for their high-energy live shows and musical virtuosity. All the members are multi-instrumentalists known in the region for their intrinsic old-time styles. You can continue browsing the Glade City Rounders website to learn more about the band and check out their music and videos. If it’s Glade City Rounders merchandise you’re looking for, you can find it all here. And make sure to check out the Glade City Rounders schedule of upcoming shows. Thanks for visiting the Glade City Rounders online. 

Music & Video


Nothing beats the experience of a Glade City Rounders show. The virtuosity and energy create a live environment like no other.

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The Band


Ready to meet the Glade City Rounders? Each musician has a different background, creating a blend of unique styles and talents.

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Merchandise


You’ve seen them live, now show your support for the Glade City Rounders with official merchandise.


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Schedule


Nothing is like the experience of a Glade City Rounders show. See them once, and you’ll be a fan for life.


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News!
Glade City Rounders release new LP CD!
The new album, They're After Us, is finally available.  High energy jug blues and stringband music!

Here is a Review:

The Glade City Rounders’ new album, They’re After Us, will take you back in time with their old-time styles in string-band and jug-band blues music. The Middle Tennessee string band specializes in pre-war music that is reminiscent of Uncle Dave Macon, who happens to be a big influence on the band.

All three of the band members are known for their virtuosity on multiple instruments. William See sings and plays fiddle, kazoo and harmonica, Josh Smith sings and plays guitar and jug, and, lastly, Squirrel McLain sings and plays banjo and kazoo.

They’re After Us displays the impressive musicianship of the band, most notable on the instrumental tracks “Darlin Honey,” “Glade City Rag” and “Let’s Hunt the Wild Horses.” In these three songs, McLain’s banjo holds down the beat while the other two work around him. “Darlin Honey” mostly gives See a chance to show off his fiddle skills, while “Glade City Rag” allows for See and Smith to take turns trading exciting solo after solo, and it even includes some human beatboxing.

The first track on the album, “Sourwood Mountain,” is a short, fast-paced number that is a great starting point. It finds all three members singing the chorus in a grimy unison, talking about how there are too many pretty girls to count.

The title track of the album is another exciting piece of work. It features a deep, raspy, scratchy singing voice that adds an extra edge to the song. It doesn’t provide any answers to who is after them, but it does specify that they are they objects of everyone’s desire.

This is a well-rounded album by the highly-talented string band. Its sound is raw and natural, avoiding all the artificial sounds that are used on many contemporary albums. At the very least, the instrumentation will keep you entertained for hours, trying to figure out how The Glade City Rounders transition seamlessly from one instrument to the next.

 

 

 

 

 

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